creepy

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Battenburg

Published May 6, 2017 by Naomi Rettig

I can’t move. I’ve got my eyes open, but it’s too dark to see anything. I can smell cake, and I can feel the weight of something against my face. I try to recall my last memory. Sleep. I was in bed, going to sleep. I’m not in my bed now.

I can’t hear anything so I open my mouth to shout, or say hello to anyone nearby.

‘Hello?’

My voice sounds muffled and distorted. I’m not sure if that’s because my ears are covered, or if there’s something in front of my mouth. I slowly force my tongue out of my mouth. It protrudes out for about half an inch before touching a surface, then retracts quickly back in. My taste buds tell me the surface it met is sweet. I persuade my tongue to venture out again. It complies.

My tongue gently licks the object in front of my mouth. Cake. It’s cake. I move my jaw out as much as it will extend and scrape my teeth along the cake surface. My tongue escorts the cake into my mouth. It tastes delicious, a light sponge.

Am I surrounded by cake? Is that why I can’t move? I think I am. How is this possible? If it were a dream I wouldn’t be able to taste and smell the cake, and I can. Someone must have drugged me and put me in a cake. That just doesn’t make sense. This doesn’t make sense.

I feel my chest tighten as a panic attack attempts to take control of my body. I can hear my pulse rate speeding up through the blood vessels in my muffled ears. I inhale a deep breath, cake fumes filter into my lungs. I tell myself I am calm, and all is well. My body knows I am lying to it, but it plays along with me, for now.

I must eat the cake. That is how I will get free. I will eat my way up through the cake. There will have to be a surface, no cake goes on for infinity. I feel calmer, I know I can eat a lot of cake. My teeth start excavating the sponge in front of me.

The more cake I eat, the more I can move my head. My spirits are lifted. I’m feeling confident. I can angle my head back now to reach the cake above me with my mouth. I move up an inch at a time, shuffling my body up with my shoulders, arms still by my sides, my face facing to the top.

I’m starting to feel sick now. I want to take a breather and rest a little, but I don’t want to risk falling asleep and running out of air. My body keeps trying to remind me I could suffocate easily, it does this by squeezing my lungs periodically while making me want to breathe faster. I tell myself I can do this, and I will be out of here soon.

I think it will be soon. I’m starting to see now. I can see the cake above me, it’s yellow. I must be near the top of the cake for the light to be penetrating down to me. I can do this. I eat more cake. In my excitement, I bite off a bigger chunk, but almost choke on it. My legs attempt to kick out and my arms try to lash out too. I spray my own face with regurgitated cake. It takes me a few moments to compose myself. I continue eating through the cake.

Bright yellow. I can see bright yellow above me. My relief is joyous. I eat on. I can smell marzipan. A heavenly smell. Almond ambrosia. I devour the final layer of sponge between me and the marzipan. I push my face against the marzipan, attempting to break free with the force of my facial features. The marzipan just stretches with my face, and lowers back down with it. I lick at the marzipan, and try to bite at it. It just moves playfully with my tongue and teeth, keen to flow in the same direction. Marzipan, I’m finding out, is non-confrontational, eager to please, and far too flexible. I try forcing my face up through it again, but this time the marzipan, wet from my saliva, sticks to my face. The almond assassin clings to my nostrils and my mouth. I try to breathe but the overpowering essence blocks my airways. My lungs clench and scream pain I didn’t think possible. I feel myself zoning out, drifting away from my physicality. I’m going.

Air violently invades my face. My marzipan death mask is being ripped open. My mouth and nose compete for the air. My lungs stop screaming and merely shout instead. My eyes are blinded by bright whiteness. They struggle to compute my surroundings. I feel my head become free of the marzipan, and I feel hands pulling me out of the cake and place me on a hard surface. My limbs feel numb from their cocooned entrapment. I feel cold, and loose.

My eyes adjust in the harsh lighting. White floor, white walls, white ceiling. There is a man in a white biohazard suit stood stationary over me. A giant Battenburg cake is in the center of the room, crumbs scattered onto the floor, no doubt from when I emerged. A camera in the corner of the room rotates around to face me. The man in the white suit puts his hand to his ear, then nods.

‘Come with me,’ he says.

My mouth is dry. ‘Why? What’s happening?’

‘You failed. They don’t want you now.’

‘Failed what? Who are they?’ My legs allow me to stand up, but threaten to drop me at any moment.

The man walks towards a door. ‘You only had to get out of the cake. You failed so you have to go back.’

‘I don’t understand?’ I follow him to the door.

‘You should have eaten horizontally, not vertically, as there’s no marzipan on the ends of the cake.’ He swipes a card in a panel by the door with his gloved left hand. ‘You could have made it out alive that way.’

The door slides open with a faint hiss. The man steps out of the room, so do I.

‘But I still don’t understand what’s going on.’

‘It’s better that way. Believe me.’ The man walks off down the narrow corridor.

I follow.

The Business of Murder – a theatre review

Published February 5, 2015 by Naomi Rettig

The Business of Murder: Theatre Review
This business is booming. The whole play was a ticking time bomb throughout: tense, taut and tantalisingly terrific. I won’t reveal any spoilers as I urge anyone near to a theatre on the tour to treat themselves to a performance. And what a treat.
Written by Richard Harris (not the famously known Irish actor but the screenplay and playwright) the plot had more twists and turns than the Stelvio Pass in the Italian Alps. Just when you think you know what’s going on you are flung fiercely in another direction. I was exhausted on exiting. And at one point, with a gasp of ‘dear God no’ from behind me, I thought an elderly lady was going to have a coronary attack. Luckily she didn’t as I’m not a first aider and I didn’t want the play interrupted.
The set was perfectly designed and kitted out with 1981 décor. I definitely spotted my mum’s trailing spider plant in a knitted macramé holder hanging up. Sound and lighting was top notch too as was the direction by Michael Lunney. And what a wonderful cast he had to direct. There were only three actors in the play but they not only carried it successfully they lifted it aloft. Joanna Higson played Dee and was delightful. I won’t reveal too much about her character but it was excellently portrayed and I look forward to seeing Joanna in many more roles. Paul Opacic played policeman Hallett, good cop or bad cop? My lips are sealed, but he was fantastic in the role, persuading my opinion of Hallett’s virtue to waver throughout. Robert Gwilym played Stone. I can honestly say his portrayal creeped me out so much I wouldn’t want to share a lift with him. He made Norman Bates seem a rational pleasant person.
I highly recommend The Business of Murder if you love quality theatre, enjoy a good murder and like your spine tingled. The Business of Murder by the Middle Ground Theatre Company is definitely a thrilling partnership that had me sold. Bravo.

Iris

Published January 15, 2015 by Naomi Rettig

Iris tried to keep her breathing under control as she led under the bed, as flat to the floor as she could possibly be. She concentrated on trying to breathe as slowly as possible in direct opposition to the rapid runaway palpitations of her heart. Her one hand was across her mouth, in case her voice betrayed her and cried out involuntary, while her other hand gripped tightly to the handle of a sturdy hunting knife. Her father had given her the knife and she always kept it on her, usually attached to her belt, when he had to leave her in the house alone to go out food salvaging. She wished he was home with her now, but panicked at the thought of him arriving back any moment and putting himself in danger. The sound of a glass breaking downstairs caused Iris to refocus on her breathing.
Luckily she’d been upstairs when the intruders broke in. Judging from the noise and voices Iris thought there must be at least four down there. Hiding under the bed was her first instinct but now she was thinking that maybe trying to climb out the window and run away would be a better idea. Although she didn’t know where to run to. Surrounded by only fields and woodland there were no neighbours or other buildings to hideout in. The Johnson’s barn was the nearest but that had been burnt down in the cleansing. If she ran her father wouldn’t know where to find her. That thought was more terrifying than sharing her house with the intruders.
Raucous laughter echoed up the stairs and under the gap between the bedroom door and the floorboards. The laughter continued downstairs while footsteps rose up the stairs. Iris’s heart pumped faster and the urge to urinate almost took over her. The heavy footsteps slowly got louder as they approached the bedroom door. The shadow of an intruder crept under the door. Iris’s hand holding the knife was trembling. The door slowly swung open and Iris could see a pair of black leather boots, scuffed and muddy. The boots didn’t enter the bedroom but moved away down the hall. The sound of urinating in the bathroom was a slight relief to Iris. The intruder would go back downstairs and hopefully they would take what they wanted and leave before her father came home.
The heavy footsteps came back across the hallway. They didn’t go back down the stairs. They paused at her bedroom door again. And entered. The boots steadily crossed the room with Iris’s eyes following them unblinkingly. She listened to drawers opening and watched as items dropped to the floor, her notebook, her bra. A grubby hand with chewed down nails scooped down and picked up the bra. The boots were only a few feet away from her face. She realised she was holding her breath. The boots didn’t move. Time seemed stuck like a stagnant pond. Then with a sudden shifting of the boots, that caused Iris to exhale with force, the intruder was on his knees and looking directly at her with depraved grimace.
‘Hello little whore’.