relationships

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CHAMELEON

Published September 2, 2016 by naomirettig

 

‘Argh! Jesus fucking Christ Jemma!’ Carl screamed. ‘What was that!?’

‘That, my love, was me injecting air into your vein, sixty millilitres of it to be precise and you have approximately fifteen minutes left before you die.’

‘What!?’

‘The air bubble will work its way up your body and when it fills the chambers of your heart it will cause a cardiac arrest.’ Jemma slid the silky black blindfold from Carl’s eyes, smiling sweetly as he blinked in defiance of the light. ‘A post mortem will reveal just that, a plain old boring heart attack, brought on by an energetic afternoon of sex and alcohol,’ she continued smiling at him, ‘a lot of men would think that was a good way to die.’

Carl attempted to move his arms and legs but he was still securely handcuffed and tied to all four iron bedposts with Jemma straddled across him. ‘Is this part of the game? Jem?’

‘No silly, I’m not playing games now, this is real and your time is ticking. Tick tock.’ She tossed the empty syringe to the side of the bed and ran her hands through her hair.

‘I don’t understand?’

‘I know you don’t, that was my plan. If you’d understood you wouldn’t have been so easy to manipulate. I’ve had an unfair advantage, like playing chess with a monkey, and now its checkmate to me.’

‘You’re not making sense.’ Carl tried to move his arms again. ‘C’mon Jem, unlock these. I love you.’

Jemma leaned forward and kissed Carl’s forehead gently. ‘I know you do baby, I made that happen. But I don’t love you, I just pretended to.’ Her smile dropped, leaving behind bitter cold eyes boring into him.

‘For eight months?!’

‘Yes, for eight months. I’ve hated you for eight months. And loathed you for longer.’ Jemma reached over to the bedside table. Sipping champagne from the glass her breasts in their cream lace cups lingered teasingly over Carl’s face. She felt his body respond below her and she sat back, adjusting herself against his naked sweaty flesh. ‘So predictable.’

He bit on his lip, struggling to reverse his primitive reaction. ‘You never loved me?’

‘No. Now baby you need to be thinking quicker than this to work out why I’m murdering you. I’d like to see the realisation on your face when you do, that would be an extra thrill for me, but your death is the end goal of my project. Tick tock.’ The icy eyed smile manically returned.

Carl squirmed and the metal circling his wrists cut in causing him to recoil into the bed. Jemma steadied herself with her hands on his chest. She smirked at him. ‘Steady there bucking bronco, you know, I’m actually getting turned on knowing that you are about to die. Up ‘til now I’ve had to fake every moan and groan that I made when you touched me. I wanted to vomit and scrub myself with bleach after having sex with you…’

‘But you were…’

‘Lubricant. If you cast your tiny mind back to every time we’ve had sex you’ll remember I always excused myself first to “freshen up”. What I really meant by that was that I had to prepare myself with lubricant because the thought of you touching me made me as dry as the Sahara.’

‘Didn’t know I was screwing a psycho,’ Carl’s confused face morphed into anger, ‘you’ll get locked up for this.’

‘I won’t get locked up silly, everything has been planned. A post mortem won’t show up anything other than a tragic accident of nature. A tragic accident that happens in about,’ Jemma glanced at the clock on the wall, ‘ten minutes.’ She pursed her lips and blew him a kiss, ‘tick tock.’

‘What about where you injected me you stupid bitch?’ Carl sneered.

‘Oh, you mean the injection hole in your arm? The same one where you gave blood from this morning?’ Jemma fluttered her eye lashes and spoke in a high husky voice, ‘Oh Carl, there’s a blood bank outside Asda, you could be a hero and donate, and then I could reward my hero with fun and naughty games.’ She focused sharply into his eyes and dropped her voice back down, ‘I think those were my words to you. A rattle of handcuffs and your brain sank to your dick. Sadly predictable, again, but simple for me to work with.’

Carl’s sneer had gone. ‘You fucking bitch.’

‘Yes, I suppose I am. I’m going to take that as a compliment.’

‘Why do you want me dead Jemma? What have I done to you?’

‘You ruined my life. So now I’m taking yours,’ she pressed herself down, her lips just millimetres from Carl’s, ‘and my name is not Jemma.’ She winked and stretched across for the champagne bottle. ‘We’ve drunk it all. Oh, there’s a little left.’ Holding the bottle above him she poured the last drops onto his mouth, arched down and licked his bottom lip provocatively.

‘What the fuck?!’ Carl wrenched his head away from her, ‘you’re crazy! Who are you?’

Jemma laughed. ‘I’m totally sane. And I created Jemma just for you, you should be flattered really.’

‘I don’t understand.’

‘I know. Poor baby. I’ll tell you more. Do you think we have time to open another bottle? Shall I risk it? Yes I think I will. This is definitely a celebration moment.’ Jemma dismounted Carl and sashayed out of the bedroom in her patent stilettos. For a brief moment Carl’s eyes strayed from her heels to her suspenders and bare bottom before she disappeared from view. He frantically tried to sit up, twisting his legs but they were firmly tied with rope and his wrists were not going to slip free of the handcuffs. Lying back despondently Carl shut his eyes.

His mind drifted back to when he first met her. Eight months ago, a hot August day, he was wilting, selling flowers on his stall when Jemma breezed by to buy some. She was as fresh as a daisy, smooth blonde hair perfectly in place, a thin blue dress that hinted enticingly at her not so hidden underwear, bright blue mesmerising eyes, red stilettos and a killer smile. That smile. She bought yellow roses to celebrate moving into her new flat, which happened to be just around the corner from his, he asked her out for a drink to celebrate properly, ‘can’t have a celebration without a bit of bubbly’ he’d said. How could she have played him when he was the one who chased and caught her?

The pop of a champagne cork shocked him back to the present. Jemma emerged back into the bedroom with the bottle fizzing over. She looked slightly different, he squinted at her trying to work out why.

‘Good, you’re still alive,’ she strode back over to the side of the bed, watching him study her, ‘oh, yes, I’ve taken my lenses out. No need for me to pretend I have blue eyes anymore. Quiet a relief really, they make my eyes tired and itchy.’

Carl’s voice was almost a whisper as he frowned in confusion. ‘You’ve got green eyes.’

‘Bingo. We have a winner. I’ll let you into another little secret Carl, I’m not a natural blonde. But I think you might have guessed that already.’ She gestured to her pubic hair which was on full display to him.

‘Who are you? What do you want?’

Jemma placed the bottle on the table and sighed. ‘Carl, you are wasting time, your time, not mine, I have all the time in the world but you have limited minutes to work it out.’ She sat to the side of him on the bed and stroked his hair. ‘You know what I want, I want you to die. That is going to happen. And you met me before, before I became Jemma.’

‘I’ve never seen you before, when you moved here that was the first time I saw you, I swear. Maybe you’ve mixed me up with someone else?!’ He swallowed hard and his eyes pleaded.

‘I would never get you mixed up with anyone else. I introduced you to Jemma last year but you saw the real me two years ago.’ Jemma studied Carl’s eyes as they flickered with thoughts and questions. ‘As well as my green eyes my hair was brunette and short. And I dressed quite plainly. Not a girl you would’ve looked once at.’

Carl’s breathing grew more rapid and his hair was wet with sweat. ‘I’m not feeling good. Phone an ambulance Jem. Please.’

‘If you say my real name I might phone for help.’ She poured champagne into her glass.

‘I don’t know who you are.’ Carl closed his eyes.

Jemma clenched her jaw, her cheek pulsing with rage. She downed the contents of the glass in one gulp and hurled it full force at the wall. A startled Carl reopened his eyes, he’d never seen her angry before. She scrambled back on top of him, grasping his hair tightly in fierce fists, pinning his head down savagely. She thrust her snarling face into his.

‘You do know who I am! Say it!’

Carl trembled beneath her. ‘I’m sorry.’

‘Sorry for destroying my life?’

‘No, I’m sorry, I’m sorry I don’t know who you are.’

Jemma’s hand released Carl’s hair and swung out and back slapping forcefully across his face. He gasped, wide eyed. She took a deep breath, closing her eyes for a few silent seconds and then gently placed her hand on his cheek where a red imprint was already rising up. ‘I shouldn’t have hit you. There’ll be a mark there when they do your post mortem. I’ll say I slapped you during sex because you asked me to.’ Jemma’s hands trailed lightly down Carl’s torso and she gazed at his chest lost in thought, her shoulders now rounded forward.

Carl was hesitant to interrupt her eerie trance but the ticking of the wall clock in the silence mocked him. ‘Why Jemma?’

Jemma lifted her head up. ‘Hmm? What?’

‘Why did you come to me as Jemma and not the real you?’

‘To snare you. I stalked you for months before. I followed you to pubs and bugged this flat.’

‘You bugged my flat? Is it still bugged?’

‘No. I don’t need it anymore. It served its purpose.’

‘Which was?’

‘To find out what you liked, what made you tick. I needed to be the perfect woman for you. And I was wasn’t I?’ She searched deep into his eyes for confirmation.

‘Yes. Was it all lies?’

‘Yes.’ Jemma seemed to re-inflate herself with a large nasal breath, shoulders back, simulated smile reapplied. ‘You prefer blondes with blue eyes so I dyed my hair and started wearing blue contacts. You like long hair so I grew mine. You like your girlfriends feminine and sexy so I changed my fashion choices. You love girls wearing killer heels, a challenge for me as I have always just worn flat shoes, so I had to teach myself to walk on four inch spikes. Am I correct so far?’

‘Yes.’

‘I listened to your boring chat with your boring friends, Dave and Paul have got to be the most infantile jerks ever, and discovered your favourite films, music, football etc… did you really think I watched football let alone supported the same team as you?’

‘Yes.’

‘I even learnt what you liked in bed by listening to you having sex with the random slags you brought back from the pub. Did you really think I enjoyed doing that?’ Jemma raised an eyebrow at the question but Carl just stared at her mutely. The sadistic smile spread like a stain across her face. ‘You really are so gullible. Are you ready to tell me who I am yet? You only have a couple of minutes left.’

Carl started to sob. ‘I don’t know your name. If I did I’d tell you so you’d phone the ambulance.’

‘See, you really are gullible. I won’t be phoning for an ambulance. Well, not while you’re still alive. I’ll phone when you die and do my best acting, I’ll be hysterical when I beg for help because my boyfriend has stopped breathing. They’ll talk me through CPR while the ambulance speeds towards me, I will of course convincingly pretend I’m doing it, but really I’ll be finishing off the champagne, toasting your death.’ Jemma looked across to the smashed glass on the floor. ‘I’ll have to clean that up before I phone, I don’t want anything niggling at an over-zealous policeman. That air bubble must be nearly at you heart.’

‘Just tell me who you are. Please.’ Carl wept.

‘You first saw me two years ago. Two years ago today actually. It’s an anniversary.’

Carl’s eyes dilated and fixed on to Jemma’s eyes with tortured recognition.

‘I was sat in a car, travelling home from my honeymoon. Buzz in when you know the answer by the way; that air bubble must be knocking on the chamber door. I was in the passenger seat, my husband of seven days was driving. His name was Jake. Jake Jones. Do you remember that name?’

Tears plummeted painfully down Carl’s face.

‘I thought you might. Well, I hoped you would. You do don’t you?’ Carl didn’t speak. ‘Just nod if you remember his name.’ Carl nodded. ‘Good. I assumed if you kill someone you remember their name. I’m disappointed that you don’t remember me. But after all, you weren’t even looking at us when you hit us were you? Texting on your phone the judge said. You didn’t even realise you had drifted over to the wrong side of the road as you were so busy telling a girl what you’d like to do to her later. We didn’t stand a chance the speed you were doing. I was told I was lucky that I didn’t die too. Well I did. I died that night too.’

‘I’m so sorry.’ Snot and saliva mingled with Carl’s tears.

‘Did you know I was pregnant?’

Horror swelled in Carl’s eyes.

‘I was fifteen weeks pregnant. I miscarried two weeks later. On the day I was burying my husband. You killed her too.’

Guttural sounds came from Carl, he closed his eyes but the tears still surged.

‘Do you understand now? Do you understand why I want you dead?’

Carl’s voice was barely audible. ‘Yes.’

Jemma slid off Carl’s body and retrieved her skirt and blouse from the floor. She pulled the skirt on, zipped it up quickly and started to button the blouse. ‘I’ll leave the door on the latch, someone will find you.’

Carl observed Jemma with confusion, a heaving chest and stuttering sobs. The stench of urine filled the room as the sheet below him darkened. ‘Don’t go. Please. I don’t want to die alone.’

‘You won’t.’ She fastened the last button and smoothed down her skirt. ‘I didn’t inject air into your vein. I just stuck the needle into you.’ The painted on smile had been erased from Jemma’s face, she was now expressionless and detached.

Carl’s crying had ceased, a baffled snotty mess focussed on Jemma. ‘What? I thought you wanted me dead?’

‘I do. But I’m not a killer. Like you are. I want you to suffer as much as I do every day. I will make your life a living hell. I will make you wish you were dead too. I will make you kill yourself. This is just the beginning.’ She scooped up her handbag and the syringe in one swoop from the floor and headed out the door. ‘Tick tock.’

NUTS

Published September 2, 2016 by naomirettig

I stop pumping up and down on Harry’s chest. I think I have broken two of his ribs. He is dead, it won’t bother him. It looks like I tried my best to revive him though. I only started my revival attempts when I couldn’t detect a pulse anymore. So I guess you could say I murdered my husband.

I stare at his lifeless body. Part of me feels sad. I stroke his hair. I’d like to say he looks like he’s sleeping, but he doesn’t, he looks dead. We were so in love in the beginning of our whirlwind romance. Our first date was in an art gallery and we bonded over abstract art and champagne. Harry whisked me away the following week to Paris and proposed at the top of the Eiffel Tower. A downward spiral followed, passion turned to possessive obsession, mind games and manipulation.

A siren outside snaps me back. I sweep over the apartment quickly, double checking myself. I’ve placed the note telling Harry not to eat the pie on the floor, seemingly fallen from his view. His plate and fork still on the breakfast bar, my plate and fork washed up and put away. A buzz at the intercom. I answer. Footsteps run upstairs.

I fling open the door. ‘Quickly, you have to help him! He’s eaten nuts and is allergic to them.’

The paramedics rush over to Harry. I feign distress.

Glancing at my watch I note I have plenty of time before I meet Marcus at the airport. He’s whisking me away to Rome. I met him on the same website as Harry and he’s fallen for me. He wants me to leave Harry. Marcus is diabetic, but I’ll help look after his insulin levels. I’m sweet like that.

STILL HERE

Published September 2, 2016 by naomirettig

The rhythmic low beeping of a machine lures my consciousness from its hibernation. I can also hear what sounds like a small bellows breathing life into a small fire. I try to open my eyes to see where I am but the inky black darkness remains. I can’t even feel my eye lids attempting to open; I can’t feel anything. I try to move my arms, legs, anything I can but I have no sensation anywhere. It smells of a hospital wherever I am. That acrid clinical smell, sterile and sour.

Why am I in a hospital? How did I get here? I have no recollection of an accident or any explanation of why I would be in a hospital, I remember eating out with Michael. His sister Grace and Harry just got back from their honeymoon and we were having a post wedding celebration. We’d dined at The Maple Tree as it was Grace’s favourite – Michael thought it pretentious and over-priced with smarmy waiters but is always generous with Grace. I think he still carried the guilt of her blindness, even though he was only young at the time of the accident. Maybe I’ve gone blind? Oh don’t be stupid, people just don’t go blind for no reason, and even if they did they would still be able to move or feel something. Surely?

Grace always amazes me, some moments it’s easy to forget she’s blind as she moves with the elegance of a dancer and seems to glide effortlessly through life, enchanting all who meet her, while I’m a clumsy klutz always managing to trip over my own feet. I wish I could feel my feet now. I wish I could feel anything now. Grace certainly lives up to her name. She reminds me of a ballerina, willowy thin with wispy blonde hair always tied up in a bun. Michael has the same blonde hair, short but still wispy, and the most vivid green eyes. His eyes were what mesmerised me when we met, almost recognising each other from previous lives. The five years we’ve been together seems like a glorious lifetime and I can only remember my life before him in fuzzy detail, but my life with him is always clear and in sharp focus.

I hear a door open and the squeak of rubber soled shoes on a floor. Hello. Can you hear me? The squeaky shoes move towards me. I can hear paper moving. The door opens again and another pair of shoes enter the room to wherever I am, not so squeaky though as the first pair of feet.

‘Oh, you nearly done? Her parents are on their way up.’ My parents are here?

‘Yeah only jotting down the vitals.’

‘Anything changed?’

‘No, nothing.’ Nothing? What do you mean nothing? What’s going on?

 The squeaky shoes and the not so squeaky shoes fade out followed by the door closing. Come back, I’m here! My parents are on their way up, I must be in a hospital, I must have been in an accident, why can’t I remember and why can’t I move? I listen carefully but only the noise of the machine beeping and the bellows blowing disturbs the silence. Time drags like weighted quicksand.

The door opens, slower and more cautiously than before, a few seconds of silence and machines pass. Did I really hear the door open? A clip clop of heels accompanied by heavier solid footsteps move towards me.

‘Oh George, she looks like she’s just sleeping.’ My mother’s voice is such a wonderful sound to me even with its forlorn tone. Mum! I’m here! I can hear you! I can smell her Nina Ricci perfume. Is she kissing me or stroking my hair? I can’t feel her but a sudden waft of strong scent must mean she’s close.

A chair scrapes the floor, heavy legs on tiles, being dragged towards me. I see a blue plastic chair in my mind. Why am I seeing a blue chair? Is my brain trying to compensate for my eyes not working? I hear a faint deflating sound as someone sits close by. My Dad? Why is my Dad not speaking? The image of the chair in my head changes from blue solid plastic to green padded vinyl, morphing Dali-like in my mind, playing tricks. I picture my Mum sat in the chair, fluffy plum cardigan with deep pockets like abysses that can produce tissues, nail-files, cough sweets or mints on demand, red floral skirt and tousled uneven bob, the same shade of chestnut brown as my hair.

‘Here.’ Mum says. Yes! I’m here Mum! Can you hear me?

‘I’m alright.’ Dad says. ‘I don’t need it.’ Dad! Can you hear me?

‘It’s ok to cry,’ says Mum, ‘let it out.’

‘Don’t fuss woman, I don’t need to let anything out.’

I’ve never seen my Dad cry, I can hear him sniffing, is he crying now? Don’t cry Dad, I’m here. They sit in silence, an occasional sniff from my Dad and some throaty sobs from my Mum is their only dialogue. I float helplessly in black space, tortured by their emotions, longing to move my arms to hug them. Concentrate. Think about moving your arms and make it happen. As much as I will my arms to shift even slightly I still cannot feel them. Are they even still there?

Why is Michael not here with me too? He could comfort my parents for me. Oh God, he might be in another room injured too. If we were both in an accident. Or if Grace was in the accident too he would be in her room knowing my parents were here with me. Yes, he must be at Grace’s bedside. She’s the only blood family he has.

I try desperately to remember more details, panic is scattering my thoughts like disturbed cockroaches and my claustrophobic cocoon closes in. Think. Focus. Go back to the restaurant and remember.

I remember the desserts, key lime pie. We all had the same. Well, we nearly all did. Grace squealed when Harry told her key lime pie was on the menu as they’d had that on their wedding day in St Lucia. She insisted we all had it. Unfortunately the waiter informed us that they only had three pieces left. Grace said that she and Harry simply had to have the same, they had also done this with their starters and main courses, so I opted for the raspberry cheesecake. I remember dropping the red fruit sauce onto my pastel pink dress giving the illusion that I had been shot, and Grace apologising to me for missing out on the key lime pie as it was so divine. I remember Harry having too many tequilas and being told off by Grace for telling us rude jokes and I remember Michael taking Harry’s car keys from him and nominating himself as driver as he had only had two whiskeys.

Michael was driving, I was shotgun and Grace and Harry were in the back. Harry’s tequila’s had hit him hard in the fresh air and he had tripped on the gravel in the car park and head-butted his car. He kept saying sorry to Michael, thinking it was Michael’s car. We were winding around the country roads, no other cars, just our headlights on full beam. Harry had shouted that he was bleeding, his head was bleeding. Grace was demanding Michael drive us to a hospital, faster. Michael was telling me to get a tissue from the glove box, it was only a little cut to Harry’s head. I got a tissue and tried passing it back to Harry but he was too drunk to take it, holding his head and moaning loudly. Grace was too busy telling Michael where the nearest hospital was. I reached behind me as far as I could to Harry but my seatbelt kept jamming. I undid my seatbelt.

‘The doctors will be here soon.’ Dad says.

‘No.’ Mum says. ‘Don’t let them. Don’t let them take my little girl away from me.’

‘She’s already gone Mary.’ No Dad! I’m here! I’m still here!

My Mum’s sobs increase. Don’t cry Mum, please don’t cry, I’m here, right here. Just listen really hard and you’ll hear me.

‘It’s only the machines keeping her body working,’ says Dad, ‘you know that. They explained it.’ His voice is monotone, detached, as if he too is trapped somewhere else. No Dad, make them give me longer! I’m still here! Your little girl who used to be your best garden helper, remember? We grew the greatest tomatoes that one summer, they were so vibrantly red and perfect in shape, remember? You said it was because we grew them with love. Give anything love and it will flourish you said.

The sound of the door opening is followed by footsteps, too many for me to distinguish. A mixture of squeaks and thuds my only clue as to my executioners.

‘I’m so sorry we couldn’t do more Mr and Mrs Grant.’ Says a solemn male voice. ‘Would you like to stay here or wait in the relatives’ room?’

No, no, no! I’m still here! Please, someone hear me!

‘I want to stay here.’ Mum says. ‘I can’t leave her.’ Yes, Mum. Stay here, don’t let them turn the machines off. I just need more time. I haven’t told you how much I love you, you need to know that. When I was younger you would kiss my forehead when I was ill and tell me you’d made the germs go away as they were scared of you. I need you to do that now Mum, I need you to make these doctors go away, because I’m scared Mum, I’m scared.

‘Come on Mary,’ Dad says, ‘she’s already gone. Let’s get out of the way and leave the doctors to do what they have to do.’

A scrape of chairs and my mother’s cries are overwhelming. I don’t want to listen to this, why did my hearing have to stay with me, Mum, please don’t cry, I can’t bear this.

‘Goodbye sweet pea,’ whispers my Mum, ‘I love you so much.’ I love you so much too Mum. Don’t leave me. Mum!

‘Nurse Barter will look after you.’ Says the solemn man. ‘Linda, take Mr and Mrs Grant to the relatives’ room please.’

No! Please! I’m still here! Mum? Dad? My Mum’s guttural wailing ebbs away in the distance and I imagine my Dad’s big strong arms wrapped around her, holding her up, holding them together as they grow smaller in the corridor outside.

I can hear the click of switches and paper rustling. Is this it? Is this how it all ends? I’m not going to go with the click of a switch. I’m going to bloody well stay here until I can move my useless body again! You hear that? Can you hear me you stupid people?

‘They can’t hear you.’ Michael says. ‘Your shouting is wasted.’

‘Michael! You can hear me?’

‘Of course I can silly.’

‘I knew you would! I knew you’d hear me!’ Its ok, everything is going to be ok. ‘You need to tell them quickly, the doctors, tell them you can hear me.’

‘I can’t.’

‘Why not?’

‘They can’t hear me either.’ He emerges from the darkness, I can see him so clearly. He is so handsome and radiating a soothing glow as he smiles at me. ‘I’ve come to meet you, we no longer belong here.’

Michael holds out his hand to me. My hand reaches out to his. I can feel his touch.

 

 

 

 

 

 

Breakdown

Published August 14, 2016 by naomirettig

I’m aware of someone looming over me. I feel the weight of their shadow hover across my chest. I hear the someone swallow, a natural reflex, but alarmingly sinister as I hide behind the dark of my eyelids. I try to steady my breathing. Whoever, whatever, lurks, seems to be in no hurry to attack. The presence sits on the end of my bed. I don’t know what is going to surrender first, my heart or my bladder.

I launch open my eyes. Judd Nelson is perched on the bed by my feet. In navy blue pajamas. Sexy navy blue pajamas. He smiles. I don’t smile back, this is a dream, there is no other logical explanation. I study his face closely, I’ve never had such a high definition dream before, every wrinkle, every handsome, gorgeous wrinkle…

‘Hello.’ He smiles again.

I am mesmerized by his eyes, his deep dark brown eyes like pools of delicious chocolate…

‘Oh, this isn’t a dream.’ Judd interrupts my thoughts again.

I play along with my dream. ‘I’m struggling with this being reality.’

‘It isn’t reality.’

I sit more upright in my bed. ‘Hallucination?’

‘Nope.’ He shakes his head. ‘Nervous breakdown.’

‘I’m having a nervous breakdown?’

‘Yes.’

I smooth down the duvet covering my lap. ‘I feel quite calm for someone having a nervous breakdown.’

‘That’s because you’re in your breakdown assessment zone. Or BAZ.’

‘Are you sure this isn’t a dream?’

‘You’re definitely having a breakdown.’ He smiles again. ‘Your physical body has gone into a coma, only your mind is functioning.’

I survey my body and my surroundings. Everything is clearer and in more detail than a dream, but I can’t feel the duvet as I’m touching it.

‘You can’t feel anything physically,’ says Judd, ‘but you can feel emotions.’

‘So what happens now? We stay here in my bedroom until my body repairs itself? You are staying with me aren’t you?’

‘I’m staying for as long as you want, you created me here. And it’s not your body that needs repairing it’s your mind.’

‘How do I do that?’

‘You just need some time out, to refocus your mind, it’s a very powerful tool and can correct itself. If you want it to.’ He stares intently at me.

‘Well of course I want it to,’ his gaze is melting my internal organs, I can’t feel this physically but I know it’s happening, ‘although being trapped in my bedroom forever with you is quite tempting.’

He laughs. Loudly.

‘Oh, obviously not for you then.’ I know I’m blushing. ‘Are you even allowed your own opinion? I mean if I’ve created you shouldn’t you agree with me?’

‘I’m here as your voice of reason, subconsciously you’ve created me that way. And I didn’t laugh at the thought of being with you for eternity, that would give me the greatest pleasure.’

I don’t even care if he’s saying that because I’m making him say it. My internal organs are continuing to melt. I think I just lost a kidney.

‘I laughed because we’re not trapped in your bedroom.’ He stands and pushes his arm through the wall. It just glides through and back, like a plane through a cloud. ‘We can be anywhere you imagine. Just concentrate and focus.’

‘Concentrate and focus?’

He stands by the side of my bed. ‘Yep. Try it. Where do you want us to be?’

‘A beach.’

‘Great. Now think about the beach you want us to be at. Is it deserted or are there other people there? What season is it, hot or cold? You won’t be able to feel the temperature but it will affect the look.’

I start to imagine. My pink carpet subtly undulates. The carpet fibers change into sand, the palest beige sand, almost white. ‘Oh wow.’ The walls of my bedroom slowly dissolve revealing a beautiful blue skyline meeting an equally majestic turquoise sea that I can hear gently lapping close by. My bed morphs beneath me and I’m reclining on a padded wooden sun lounger with an identical one next to me. ‘This is amazing.’ I see a figure in the sea. ‘Is that Jenson Ackles waving at me?’

‘It is if you want it to be.’ Judd is still stood next to me. ‘Can I suggest you imagine me into beach wear, these pajamas are a bit warm.’ He winks at me.

I concentrate and imagine him to be wearing a pair of shorts and a kitsch Hawaiian shirt, bright pink and yellow. He is instantly transformed. I will save the speedo look for later.

He looks down at himself. ‘That’s better.’ He gestures to me.

I glance at my Minion pajamas, hardly suitable for this beach. I imagine a black swimming costume with a pretty floral sarong wrapped around me. I am instantly wearing this. I rearrange to sarong over my legs.

‘You look a bit self-conscious.’ Judd sits on the spare lounger. ‘I should point out that you can imagine yourself to be any shape that you want, and alter yourself in any way if it makes you feel better.’

‘Really?’

‘Yep.’ He shrugs.

I imagine myself thinner. I watch as my body neatly deflates to a smaller size, but stays taut and reveals nicely defined muscles. ‘Oh wow!’ I convert my black swimsuit into a gold bikini. I inflate my breasts a little. And a little more. ‘Is this what heaven feels like?’

‘Yes,’ Judd stops looking at my chest and makes eye contact with me, ‘I mean I don’t know, I’ve not been there.’

‘It must be. I am in heaven right now.’ I lie back on the lounger.

‘You are feeling happy? Content? Relaxed?’

‘Yes, yes, and yes. And we can stay here for as long as I want?’

‘Yes. Well…’

I sit back up. ‘What’s the well for?’

‘Well the longer you are not mentally connected with your physical body, I’m not sure how easy it will be to go back.’

‘I’m on a beach with you, Judd Nelson, why would I want to go back?’

‘For all that you have in your real life.’

‘Let me think about that. I’m a waitress in a dingy bar surviving day to day on tips, I’ve been single forever as I don’t trust anyone, I have no family that I speak to, and my social life consists of playing online scrabble with strangers and posting photos of food on Instagram. It kind of seems like a no brainer. What am I going to miss out on if I stay here?’

‘Food. You can create whatever food you want here but you can’t taste it. You can give us cocktails here but you can’t drink them.’

‘I can live without that.’

‘Ok, Smells. You can’t smell flowers, coffee, the sea.’

‘So, I also can’t smell nasty smells. Not a problem.’

‘Touch. You can’t feel physical touch here.’ He touches my arm, his fingers caressing my skin. ‘See.’

‘Yes, exactly, I can see you touching my arm, that makes me feel emotions, and that’s enough for me.’

‘For the rest of your life? No touching, tasting or smelling?’

‘I can see and I can hear and I can go anywhere I want and imagine anything I want. That is enough for me. This is the reality I want now.’

‘Shall I flick the switch then?’

‘What switch?’

‘There’s a switch that will cut off your mind from your body permanently, you will remain physically catatonic in hospital but exist permanently here.’

‘But won’t the hospital switch life support off?’

‘No, they will still detect brain activity so keep your body plugged in.’

‘Ok then, let’s do it.’

‘You sure?’

‘Never been surer.’ I settle back down on the lounger. ‘Flick that switch, let’s get this adventure started with a bang!’

Judd clicks his fingers. ‘Done.’

A cascade of pretty firework explosions fills the sky, but silently as I don’t like the loud noises that accompany them. A Caribbean steel band plays in the distance. I jump up to dance. My toes fall off.

‘What the…?’

Judd looks at my feet casually. ‘Ah, you’d forgotten your imagination can be a bit of a prat sometimes.’ He smiles. ‘Put them back on then.’

I look down at my feet stumps and scattered toes. I imagine them back on. My toes wriggle through the sand and back into place.

Judd stands up and moves in close to me. He wraps his arms around me, I can’t feel them but it feels good. ‘Can I kiss you?’

‘Of course.’

Melt. There goes my spleen.

 

 

 

Touch

Published July 17, 2016 by naomirettig

A stranger on a train made me cry. They didn’t say anything to me, they didn’t look at me, they were probably completely unaware of my existence, yet they had a profound effect on me.

On a busy train to London the carriages filled up. I tend to avoid having someone sit next to me by letting my face drop into ‘resting mode’. My resting mode face is a serial killer/prison warder combo. Plus, it helps that I am large, not many people want to squeeze into a seat next to the fattest person in the carriage. Especially on a warm day. Anyway, this particular day all the seats had filled up so I stared into space out of the window as we pulled into Reading station, resigned to the fact that I would have to share my personal space for the final half hour of my journey. I hate having someone in the seat next to me as I usually get people with foul aromas that smell of fish, urine, garlic, rancid armpits, or a combination of those. Or people who eat. But not pleasant things like mints or lemon sherbets, I get people sitting next to me who eat egg sandwiches, and, I kid you not, some woman once ate pilchards next to me, heads and everything. I had to close my eyes and coat my nostrils in peach lip balm to avoid vomit rising.

On this occasion though the only odor that wafted my way, as a man sat down next to me, was a delicious aftershave.  Lap tray down, laptop out, head down, answering his emails. I don’t think he even gave me a first glance let alone a second. I was pleased I hadn’t been joined by a reeker, an eater, or indeed a reeky eater. I carried on watching the countryside whizz by. Then something strange happened.

I was suddenly aware of the warmth from the strangers’ arm. Our arms were touching, aligned. Nothing remarkable, nothing exceptional, just two people squished together on a busy train. To someone else that may have been the end of the experience. But I felt an emotional surge. Feeling the warmth from another human being was quite overwhelming.

I have been single for a long time and those closest to me (my mum and my daughter) are non-touchy feely people, no I love you’s, or hugs or affection. Which is fine for them, that is who they are. I however am a touchy feely person. But I have lived without physical human contact for such a long time that I’d actually forgotten how it felt. And I don’t mean in a sexual way, just in the sensory form of touch. Sat next to the man on the train, absorbing his body heat I wanted to cry. I wanted to cry because it felt good and I remembered the feeling of being physically close with a loved one. The random thought that went through my head was ‘if I was sat on a sofa with a partner this is what it would feel like’. (It’s irrelevant that I don’t have a sofa to go with a non-existent partner). I also wanted to cry because I thought of everyone else having someone they love to hold and touch, yet all I had was this random stranger on a train. I felt sorry for myself and I hated that.

The experience has passed. I’m now back to feeling fine with my unwritten no contact clause. It now doesn’t bother me again, just that one moment on the train. Obviously it made a difference that the man on the train was good looking and wore a wonderful aftershave, if it had been the lady in tweed from a few weeks earlier who smelled of onions and eels I don’t think I would have had the same experience.

So the moral of my tale is enjoy your human contact, be it on the sofa next to a loved one or sat next to a stranger on a train. But don’t go touching random people or holding hands with strangers, that might get you into trouble. Just be thankful.

Emmerdead

Published May 22, 2016 by naomirettig

Emmerdead.

When characters in the soap Emmerdale die they disappear from our screens, but secretly they have the choice of moving on to the afterlife or moving into Emmerdead which is a replica of the village, but just full of dead characters going about their daily lives. Residents in Emmerdale are unaware of the Emmerdead village, they might not be so scared of dying if they did, but Emmerdead residents regularly watch Emmerdale on their TV’s to keep an eye on any loved ones left in village. Or to just be nosey. Current residents in Emmerdead are:

 

The Dingles live at the traditional Dingle dwelling, Wishing Well Cottage. Head of the household is Shadrach, still drinking and avoiding soap, of the washing kind. His daughter Gennie is with him. She is a mobile hairdresser, zipping around the countryside on a pink scooter. Shadrach’s nephews Butch and Ben farm pigs to sell to the village butchers. The brothers constantly vie with each other to get Gennie’s attention. She keeps pointing out they’re cousins but they say that doesn’t matter as they didn’t grow up together. Alice Dingle watches over Sam and their son Samson in Emmerdale via the TV, she approved of Rachel but wishes Sam would stop mooning over Megan. Alice rears chickens and sells the eggs.

 

Pollard’s Barn is inhabited by two of Eric’s wives, Val and Elizabeth, and Dave Glover. Val and Elizabeth both constantly argue over who Eric will choose when he gets there. Dave hopes Eric will choose to go straight to the afterlife as he is currently Val’s toy-boy and won’t be giving her up without a fight. Val has a massage studio set up at the barn, ‘Valerie’s Heavenly Bodies’, and works as a masseuse alongside Dave. They regularly practice on each other. Elizabeth is a seamstress, making and repairing clothes. She is very disapproving of Val and Dave.

 

Butler’s Farm is home to one of the Sugden families. Joe runs the farm here with his wife Kate. Kates children Rachel and Mark Hughes help on the farm. Pete Whiteley also lives here and works on the farm. Kate felt guilty for killing him so employed him. Pete is now back in a relationship with Rachel, although enjoys flirting with Kate in private, taking advantage of her guilt.

 

Holdgate farm is home to the Tate’s. Frank and his two sons Chris Tate and Liam Hammond living under the same roof leads to a lot of tension at times. Liam is finally starting to bond with his estranged dad but Chris is very territorial in the son department. They own the factory next door and run a brewery from there. Their top selling beers are ‘Emmerdale Elite’, ‘Franks Feisty First’ and ‘The Knobbly Nob’. Liam gets his hair cut more than he needs to as he has a crush on Gennie Dingle. Chris wants Gennie to go out with him just so he can get one up on his half-brother.

 

Home Farm is back in the hands of the King’s. Tom King and Rosemary King rule the roost with Tom’s sons Matthew and Carl running the estate. Tom has forgiven Carl for killing him but favours Matthew at all times. Carl is now married to DCI Grace Barraclough and she lives there too. She clashes quite a lot with Rosemary. Frank Tate flirts with Rosemary King at every opportunity he gets, sometimes she flirts back.

 

Seth and Meg Armstrong live at Tall Trees cottage and Archie Brooks is their lodger. Archie is the gamekeeper at Home Farm, Seth often accompanies him to escape from Meg’s nagging at home. Smokey the dog is always by Seth’s side. When not tagging along with Archie at Home Farm Seth can be found in the pub.

 

Donald De Souza lives in The Mill. He is the village vicar now after finding God. He has forgiven Matthew King for withholding his heart pills when he was having a heart attack and then subsequently died. Donald’s church services are regularly busy, there are a lot of people looking for redemption in Emmerdead.

 

David’s Shop doesn’t exist here in Emmerdead, instead it is ‘Woods & Windsor’, shop and post office. The post office side is run by Vic Windsor; the shop is run by Terry Woods. Viv Hope works in both sides alongside each of her husbands. Donna Windsor works in the post office with her dad, and Dawn Woods works in the shop with her dad. They all live together next door in Farrers Barn. Viv spends alternative nights with Terry and Vic, this works well most of the time but does cause some friction between the two husbands.

 

Viv’s first husband Reg Dawson lives in Keepers Cottage. He doesn’t live with her like the others but watches from a distance and is quite reclusive. He tries to avoid bumping into Shirley Turner around the village as he feels guilty for shooting her.

 

Tenants cottage is occupied by Robbie Lawson. He watches over his mum Megan and baby sister Eliza on Emmerdale via his TV. He is the village postman and there is a fledgling romance between him and Donna, which started in the village Post Office. Donna watches Emmerdale with Robbie so she can check on her daughter April.

 

Cameron Murray lives at Jacobs Fold. He runs the garage, called ‘Murray’s Motors’ here. He offers free servicing for anyone he has murdered. Gennie brings her scooter here and Carl King brings all the Home farm vehicles in. Alex Moss chose to go straight to the afterlife so Cameron is saved a little extra work there, but he is still kept very busy.

 

Pear tree cottage is not Beuaty and Bernice here, but a butchers. It’s owned by Brian Addyman and his daughter Katie Sugden. They live above it but Katie is fed up smelling like raw meat so is trying to persuade the Kings to have a stables back at Home farm so she can work there. She also has the hots for matthew King and quite fancies living at Home farm too.

 

Dale View is home to Nick Henshall. He is still a policeman, partnered with DCI Grace Barraclough. He is still smitten with Katie Sugden but she does her best to ignore him here. He buys a lot of meat. Every day.

 

Connelton View is the home and practice of the village doctor Adam Forsythe. Even though he’s technically not a doctor as he was using his fathers’ certification to practice in Emmerdale, the villagers here don’t seem to mind. They just keep an eye on the fire extinguisher when being examined.

 

Graham Clark lives at Victoria Cottage. He is devastated that Rachel Hughes is in a relationship with Pete Whiteley, but she obviously doesn’t want anything to do with Graham as he murdered her. Graham no longer teaches; he is the delivery driver for the Tate’s brewery.

 

The Café is ‘Wyldes Wine Cellar’ here in Emmerdead. Owned and run by Mark Wylde who lives above it. During the day it is a wine shop and by evening it is a wine bar.

 

Brook Cottage has a reputation as a party house. Parties happen quite regularly and quite loudly. The residents are Linda Fowler, Luke McAllister, and Paul Marsden. All four work at the Tate’s brewery and have a habit of smuggling booze home with them. Linda disapproves of her brother Dave’s relationship with Val and tries to get him to party with ‘the younger crowd’ whenever she can. Luke has a crush on Linda but she has a crush on Paul. Paul just likes to party.

 

The veterinary surgery is run by Max King. He lives next door in Smithy Cottage with Mia Macey, they are madly and sickeningly in love. They bonded over their shared experience of being killed in car accidents. Mia is receptionist at the vet’s. They have a pet cat called Maurice and regularly go for Sunday lunch at Home Farm with Max’s family.

 

Mulberry Cottage has Jackson Walsh and Hilary Potts living in it. Hilary is Jackson’s personal assistant and they have a lot of fun and adventures together. Currently they are learning French.

 

The Grange is a B&B here too in Emmerdead. It is run by Tess Harris and Ruby Haswell. They also share a room, Tess discovered she was bi-sexual after meeting and falling in love with Ruby. They are very romantic and leave each other poems and messages around the B&B. When Ruby cooks breakfast for Tess and the guests she cuts the toast into heart shapes and fries eggs in heart shapes too.

 

Alan Turner is the landlord of The Woolpack. His son Terrence does all the heavy manual work while his granddaughter Tricia Dingle is everyone’s favourite barmaid. Alan’s wife Shirley also works behind the bar, as does his girlfriend Shelley Williams. This causes some tension. They all live in the pub but Shirley shares Alans bed, not Shelley. Shelley and Alan have a purely platonic relationship now. Reg Dawson is banned from the pub as he killed Shirley and Alan hasn’t forgiven him, but Dr. Adam Forsythe isn’t banned, even though he killed Terrence, as Alan thinks that wasn’t such a bad thing to do considering Terrence had sexually abused his sister Steph.

 

Edna is back in Woodbine Cottage, reunited with Batley the dog. When she arrived in Emmerdead she found Len Reynolds living in the cottage with his daughter-in-law Angie Reynolds. She agreed to move in with them but on a strict understanding that her and Len would be just friends. Len thinks this will change. Angie works in Wylde’s Wine Cellar and there is a great deal of sexual tension between her and her boss Mark Wylde.

 

Henry Wilks’ old house Inglebrook is occupied once again by Henry Wilks. Henry spends most of his time in The Woolpack though. He has a soft spot for new resident Edna and that is causing tension between him and Len.

 

Tug Ghyll Cottage is home to Peggy Skillbeck and her twins Sam and Sally. She is a regular visitor to both her brothers Jack and Joe’s farms, having a secret crush on Jack’s employee John Barton. Also living with Peggy and the twins is Sharon Crossthwaite. She was Peggy’s mum Annie’s cousin. Even though she is only seventeen years old she is Emmerdead’s longest residing villager, being the first murder victim over in Emmerdale back in 1973. She is the housekeeper at Home Farm and babysitter for Peggy. Peggy cleans at the brewery.

 

The Malt Shovel is featured in Emmerdead and is run by Gordon Livesy. It is not a popular pub but Gordon thinks he can turn things around. His main customer is Reg Dawson, Reg hasn’t told Gordon he is banned from The Woolpack. Other regular customers include Cameron Murray and Graham Clarke. Terrence Turner prefers to drink here than in his own family pub The Woolpack. Illegal gambling and after hours drinking occurs regularly.

 

The original Emmerdale farm is a working farm here in Emmerdead and is the other Sugden farm, in slightly healthy competition with Joe Sugden at Butlers farm. Joes brother Jack runs Emmerdale Farm. His two wives Pat and Sarah live with him, but neither share his bed as he can’t choose between them. His son Jackie Merrick, also Pat’s son, lives with them and works on the farm. Jacks granddad Sam Pearson lives there and so does Jacks father-in-law Leonard Kempinski. Leonard is waiting for his lovely Annie to join him. The two men are grumpy and cantankerous, think Statler and Waldorf from The Muppets, but enjoy each other’s company and misbehave quite a lot. John Barton works for Jack, and lives there too. John is having a secret affair with Sarah Sugden and often shares her bed at night. If Jack were to find out it would probably make his mind up about which wife to choose!

DeadEnders

Published May 20, 2016 by naomirettig

DeadEnders

When characters die in Eastenders they disappear from our screens, but, unseen by us the viewer, they actually have the choice of moving to the Dead End. It’s a complete replica of the Eastenders set but just inhabited by deceased characters. Their day to day lives carry on in this separate ectoplasmic soap opera. While the characters in Eastenders are unaware of this alternative Square, the characters of DeadEnders regularly watch Eastenders on their televisions; to keep an eye on their loved ones, take bets on who will be joining them next, and enjoy catching up on all the gossip. Here are the current residents of DeadEnders:

Number 1 Albert Square is still three separate dwellings, not the converted house that Kim and Vincent currently live in. 1a is a doctors’ surgery where Dr. May Wright practices as she is no longer struck off. She lives in 1c, with Eddie Royal, who likes being kept on his toes by the unhinged GP. Eddie runs the local bookmakers. He likes a gamble.

The 1b flat is occupied by Ethel Skinner and her little Willie, the pug. She is now married to Reg Cox. Reg was never seen animated in Eastenders as he was the body found in the opening episode, so he jumped at the opportunity to set up residence here. Now Ethel has a Willie and Cox keeping her company. Snigger.

In flat 3a you’ll find Jase Dyer, constantly watching over his son Jay in Eastenders via his TV. He is the local builder and handyman and has been single ever since being here.

Flat 3b homes Johnny Allen and Andy Hunter. Even though Johnny murdered Andy they have decided that keeping enemies closer is the best practice here. They’ve even gone into business together running ‘The Barbed Whip’, a members only gentleman’s club ‘up west’.

Flat 3c, currently occupied by Stacey and Martin in Eastenders, is the home of Steve Owen, Saskia Duncan and Steve’s mum Barbara. Saskia waited here for Steve, and feeling guilty for killing her, he moved in with her. He was surprised to find his mum already living with Saskia and wishes she would move out and on to the afterlife. Barbara Owen enjoys tormenting her son too much though. Steve now works at a funeral directors and regularly volunteers for overtime.

Number 5 (being turned into flats by Jack in Eastenders) houses Jim and Reenie Branning, reunited after many years. Reenie gets jealous when she finds Jim watching Dot on Eastenders. Their son Derek Branning, and grandsons Bradley Branning and Billie Jackson live with them. Derek is a taxi driver. Bradley is a teacher and Billie works on the market on a butchers’ stall. Wellard the dog is there too; he likes to hang out by Billie’s stall.

Numbers 18-20 are a B&B run by Owen Turner and Trina Johnson. They hooked up together after bonding over both being victims of Lucas Johnson. Their reputation and grisly deaths puts punters off staying at the B&B though so their only current residents are evil Harry Slater and the equally despicable Trevor Morgan. Both unemployed and both thinking they are victims.

Number 23 (currently flats, Shirley and Buster live in one) is a house here. Charlie and Viv Slater have reunited, along with Charlie’s sister Vi Slater. It’s a house full of tension, the two women are constantly clashing, and with Harry and Trevor on the square too there are quite a lot of fisticuffs.

Number 25 (Dot, Jack, Amy and Abi live here in Eastenders) is occupied by Cottons. Three generations. Charlie, Nick and Ashley. Think Steptoe and Son. And Son. There is always a dodgy deal going on here.

Number 27 (Ronnie and Sharon’s home in Eastenders) is a happy home. Nana Moon, Danny Moon and Michael Moon live here. Michael has mellowed a lot after dying, and him and Danny are Estate Agents. They are always competing for both sales and women. In a fun, light hearted way. Nana Moon dotes on the boys and always has tea on the table ready for them.

Flat 29a is home to Arthur ‘Fatboy’ Chubb. He is a full time DJ and events coordinator and has a string of beautiful women turning up on his doorstep.

His neighbour in flat 29b is Dennis Rickman. He works as a barman and has an equal amount of gorgeous ladies toing and froing from the flat. Dennis and Fatboy go on regular nights out together when not working.

Number 31 (where Sonia, Tina and Rebecca live in Eastenders) is home to Lou Beale, her son Pete Beale and her great granddaughter Lucy Beale. Pete is in his element back on his fruit and veg stall, where Lucy also helps out. Lou still gives advice to everyone even when they don’t want it.

Number 41 is quite empty now in Eastenders with just Masood living there, but here in DeadEnders it’s a lively house with Pat and Frank Butcher, and Frank’s mum Mo Butcher. Frank and Pat run their car lot on the square while Mo supervises everything. Much to Pat’s annoyance.

Flat 43a is inhabited by Cindy Beale. Her daughter Lucy wanted to live there with her but Cindy runs an escort agency from home so insisted Lucy live with her Grandad and Great Grandma across the road. Mum and daughter are still getting to know each other and are enjoying bonding again with regular trips up west, lunch and shopping.

Flat 43b is always full of the sound of George Michael. Heather Trott lives here and, strangely, gets on very well with her neighbour Cindy. This unlikely duo often pop into each other’s flats for drinks and chit chat. Heather works in the café for the Fowlers. She likes to make her George Michael special, which is just cheese on toast with ‘wham’ written across it in tomato sauce.

The third flat in a trio of girly flats, 43c, is occupied by Laura Beale. She is envious of Cindy and Heathers friendship and is always trying to tag along with them. She is the cleaner at The Queen Vic. She is always pestering Pete Beale to let her work on the stall with him.

Number 45 (where Ian Beale lives in Eastenders) is occupied here by the original tenants Pauline and Arthur Fowler. Their son Mark and his wife Gill live with them. They own the café. Pauline, Mark and Gill work there, along with Heather. Arthur grows veg for Pete’s stall on his allotment.

The Queen Vic (number 46) has Peggy Mitchell back behind the bar. Archie Mitchell was waiting for her and runs the pub with her but she still keeps her eye on Frank Butcher. Jamie Mitchell lives there too; he is a mechanic and runs the garage. Peggy’s daughter in law Tiffany Mitchell lives with them too, she is a barmaid there and also runs her own mobile beauty business. Tiffany has an on/off relationship with Dennis Rickman who is a barman there.

Flat 47a is occupied by Stan Carter. Stan had an epiphany after dying and moving here, he now regularly attends church and is often quoting from the bible. He regular gives sermons in the gardens in the square. Usually to an audience of zero.

His neighbours in Flat 47b are his ex-son-in-law Kevin Wicks and his grandson Jimbo Wicks. Kevin was delighted to find his son Jimbo waiting for him. Kevin runs a hardware stall in the market and Jimbo helps out when he can. Kevin is not having much luck with the ladies, despite trying hard.

Number 89 George Street (Billy Mitchell currently lives there in Eastenders) is home to Ronnie Mitchell’s daughter Danielle Jones and Ronnie’s baby son James Branning. Danielle looks after her half-brother as if he is her own. Archie keeps asking for them to move into the Vic with him but Danielle can’t forgive him for putting her up for adoption when she was a baby. She does some child minding from home. She has a crush on Billie Jackson.

Number 91 George Street is home to Barry and Roy Evans. Father and son run a solar panel company called ‘Evans Above’. Roy is still in love with Pat Butcher. Barry and Heather Trott keep having one night stands together. Heather would like a more permanent relationship but Barry keeps thinking someone better will come along, not realizing the gem that Heather is.

Number 53a Turpin Road is the flat above the undertakers where the Coker’s live in Eastenders. Here in DeadEnders Paul and Audrey Trueman live above a florist. Audrey runs the shop and does the flower arranging while her son Paul does the deliveries, and skives in the pub and the bookies. He fancies Cindy Beale.

Number 55 Victoria Road (where Phil Mitchell, Jay, Ben and Louise live in Eastenders) is the home of Den and Angie Watts. They run a dating agency together, ‘Watts Love’. Occasionally sleeping with their clients behind each other’s backs. Roly the dog is with them. He is depressed.

Valentine’s Day for Singles

Published February 9, 2015 by naomirettig

It’s that annoying time of the year again when shop windows fill with a sea of red love hearts and loved up smug couples flaunt their sickly sweet soulmate status, while feeling sorry for singletons and their miserable lonely existences. Yes, I’m not a fan of the over commercialised event of Valentine’s Day.
I don’t like the fact that florists, hotels and restaurants hike up their prices for this day – I know they are in business and need to make money but I still find it distasteful. I don’t like the assumption that it’s just this one day of the year that you show the person that you love you care – you don’t need a special day to do this. I don’t like couples who send vomit inducing messages on social media for all to see –tell each other privately, why do you need to tell everyone/show off about it.
Now don’t get me wrong, I am surprisingly an eternal romantic even though I’ve been single for many years now. I’m more in love with the idea of being in love than actually being in love though. It’s exciting to imagine that my soulmate is out there somewhere and that fate will guide us together in some mysterious circumstance, our eyes will meet and we will instantly know we are destined to be together for eternity. But in reality I know the chances of this happening are a slither of slim. I manage to hide this hope of ‘my soulmate is out there’ at the back of my brain, filed away with ‘someone will invent calorie free chocolate’ and ‘if I mentally promise to donate half to charity I will win the lottery jackpot’.
Maybe that’s why I don’t like Valentine’s Day too, a reminder of another year sailed by without bumping into said soulmate (and another year without calorie free chocolate and a lottery win). So when I see the sea of red and pink hearts surging up the high street I have to remind myself how good it is to be single to stop myself sinking in the suffocating waves of organised romance.
There are wonderful advantages to being single. Your legs are warmer in winter as there is no need to shave them, although when you shave for summer dresses it will appear that you’ve massacred Chewbacca in your bath tub. You can watch whatever television you like and when you like, no having to put up with silly sports channels or being tutted at when watching hours of soap operas. There are no tedious in-laws to dutifully visit or partner’s friends that you have to tolerate when you would really like to smack them across the face with a wet haddock. You can starfish in bed at night, fidget away and keep all the duvet to yourself, not to mention the bliss of a quiet night’s sleep with no snoring or heaving breathing next to you that leaves you contemplating first degree murder. You can also have lovely lazy days where you don’t have to bother brushing your hair and applying your face and you can feel happy lounging around in the nude without constantly holding your tummy in. Also you will have healthier intestines too as there is no need to hold wind in, extra beneficial being a vegetarian.
I unfortunately can’t banish Valentine’s Day so instead I will celebrate with the current soulmate in my life – me. I will treat myself to some lovely gifts perfect for me (Erica Spindler’s new thriller book, the Fawlty Towers scripts and Monty Python’s Holy Grail script) and spoil myself with a luxurious candlelit bath after work while sipping non-alcoholic pina colada (my tipple of choice) before watching a Judd Nelson movie (getting to spend the evening with the most handsome man on the planet) and enjoying a Marks & Spencer meal for one.
I suppose I have fallen into the consumer trap of this day. And that little seed of hope will be waiting for flowers from a secret admirer to be delivered in work and an array of admirer’s cards waiting on my doormat on return from work. They won’t, and I shall be momentarily disappointed before reminding myself that I’m spending the evening with someone that loves me unconditionally and forever. Me. So if you are single on Valentine’s Day: love yourself, be kind to yourself and remind yourself how special you are, too special to share in fact!

Hope

Published January 20, 2015 by naomirettig

My mind beats fast when I think of you,
My heart dreams vivid colours so true.
A mix of emotions run through my veins,
A tribe of wild horses released from their reins.
Fear of unknown adventures ahead,
Wondering where fate this time has led.
Excitement coursing through me so fast,
A little bit cautious due to my past.
You’ve touched my soul in this short time already,
I feel euphoric, blessed, giddy and heady.
I’ll let you inside to the core of me,
If you’ll cherish my heart I’ll give you the key.

Ode to You

Published January 20, 2015 by naomirettig

You’re stuck in my brain and I can’t set you free,
You’re having a strange effect on me.
I want to swim with you in lemon jelly,
Cuddle nude while watching the telly.
Write your name on my book in permanent ink,
Fly high through clouds of candyfloss pink.
Words tangle like spaghetti when I try to talk,
My mouth feeling like crumbling chalk.
Your smile thrown my way starts my tummy to spin,
Head all giddy like I’ve been on gin.
If I held your hand once I might just explode,
Leaving my bits all over the road.
You have no idea what you do to me,
If you felt the same I’d scream ‘yippee’!