death

All posts tagged death

Brexmeat

Published September 17, 2019 by Naomi Rettig

Tony scraped up scraps of cartilage and bones that the machine had spat out. He tossed them into the incinerator while whistling ‘Another One Bites the Dust’. The stench didn’t bother him, he’d been a butcher before being imprisoned, humans smelled the same as animals to him. Ben didn’t have the same stomach as Tony, and even though he wore a face mask it was a struggle to not gag constantly.

Tony wiped his chunky calloused hands on his already bloodstained apron. ‘C’mon lad, time for a brew.’

Ben didn’t know if he could keep a cup of tea inside him, but he wasn’t going to turn down an opportunity to get off the factory floor. He peeled his sweaty gloves off, left them on the table, and followed Tony into the small staffroom.

Tony already had the kettle switched on and was putting sugar in his mug. ‘Sugar?’

‘No thanks.’ Ben sat down on one of the blue plastic chairs and took his face mask off.

Tony smiled. ‘You’ll get used to it.’ He placed the mugs on the table and sat opposite Ben. ‘What you in for? Must be bad to be working production.’

‘Cyber fraud.’

Tony laughed. ‘What a waste. You’ve thrown your life away for hacking?’

‘I only moved money from one account to another, they got it all back, I’ll be out soon when I’m up for parole.’

Tony belly laughed again. ‘If you’re here in production parole isn’t on the cards for you.’

‘I don’t understand?’

‘Prisoners on the production line are never leaving here. Life means life here.’

‘But I didn’t get life, I got four years, so I’ll be out in two.’

‘So naïve. How old are you?’

‘Twenty-two.’

Tony stopped smiling and shook his head. ‘You don’t have any family, do you?’

‘No, how do you know that?’

‘Because if you’re not here on production because you’re a lifer it’s because you don’t have family. No one to miss you or report you when you don’t get out.’

Ben stared down at the table, trying not to cry or pass out.

‘Lots of people here are the alone.’ Tony slurped some of his tea. ‘Not usually youngsters like you though.’

‘But I got a sentence, in a court, they can’t keep me here.’

‘They can do what want, they’re the government.’

‘People need to know this.’

‘People need to not know this, that’s why none of us on production will ever get out or have contact with anyone outside.’

‘I can’t stay here forever.’

‘You don’t have a choice. Unless you want to kill yourself, that’s your only choice. But then you’d end up in a sausage or a pie like the refugees and illegals.’

‘Surely that’s better than butchering and cooking people every day.’

Tony shrugged. ‘Depends on your view. Roof over my head, food in my belly, library full of books, gym to work out in. Throats to slit every day. I got a better life in here than I did outside.’

‘Doesn’t it make you sick? Killing innocent people? And eating them? Sending them out to be eaten by the public?’

Tony laughed and finished his tea. ‘Lad, no one is innocent in life, all have sin. I used to butcher animals for a living, human carcasses are no different. I’m in here for life, for murder. I killed my wife for sleeping around. I was happy killing the woman I loved most in the world, killing people I don’t know is a cinch.’

Ben stared at Tony, frightened to ask him anymore.

‘And eating them? You eat the flesh of a cow or pig, there’s no difference with a human. Flesh is flesh. You’re not a veggie are you?’

‘No.’

‘Well there you go then.’

‘The government should tell the people what they’re doing.’

‘Too many snowflakes like you would have a meltdown. It’s better if they don’t know.’

‘It’s dishonest, it’s wrong.’

‘Says you, banged up for stealing.’

‘I was stealing from companies who could afford it.’

‘Still deception however you want to dress it up. How would you solve the problem? Millions of hungry people on our island with not enough food to feed everyone, no help from the EU as we stuck two fingers up to them, thousands of illegals and refugees turning up here trying to take our depleted food from us.’

‘I don’t know. But I know this is wrong.’

Tony shrugged. ‘Embrace it or die. Going through the motions will drive you mad if you don’t believe it’s for the greater cause. I’ve seen many that breakdown. A few months ago a lad about your age threw himself in the furnace. Jerry. What a waste. Burnt to a crisp like pork crackling. He had a lot of meat on him, would have fed a good many people. Selfish really.’

‘I guess he wasn’t thinking straight.’

‘Well if you ever feel like throwing yourself in the furnace, don’t. Give me the heads up and I’ll make it quick for you, neat slit to the throat. Might even make sure I get a product you end up in.’

Ben pushed his tea away from him, the urge to vomit was swelling.

An alarm rang out for a short burst making Ben flinch and a red light flashed over one of the double doors on the production floor.

‘Fresh meat.’ Tony stood up. ‘You been shown how to slit a throat properly?’

The colour drained away from Ben’s face. ‘No.’

‘Time for me to teach you then.’ Tony smiled and walked out the room.

Ben put his mask over his mouth and nose, took a deep breath, and slowly followed.

Tony picked up a six-inch knife from the wall rack. ‘This is the best knife. Sharp like a shark, cuts through flesh like a hot knife through butter.’

They walked towards the doors, silent now but red light still flashing.

‘Now you can watch me do one, then you can have a go.’

‘I don’t want to, can’t you do it all?’

‘I could, but you need to be able to do it. If you can’t do the whole job then that choice of sausage or worker will be taken away from you.’Tony put his hand on the door handle. ‘Don’t look into their eyes, it’ll make it harder for you.’ He opened the door and muffled shouts and cries began immediately.

Inside the white sterile room were ten naked people of male and female assortment bound securely by ropes, gagged and sat on the floor. Ages varied from twenty to sixty. All were shaking and wide eyed. Tony stepped into the room, followed by Ben who was struggling to pull his gloves on to his tremoring hands.

‘Start anywhere you like, some choose youngest to oldest or vice versa, I just work my way around the room.’ Tony seemed oblivious to the muffled cries and screams.

Ben automatically looked into sets of eyes as he scanned the room. He could feel himself hyperventilating and wished he would just pass out.

Tony approached the first livestock. A man in his forties, dark skinned, average build, trying to plead through his gag. Tony grabbed his hair and held him firmly upright. ‘You need to hold them still, it’s quicker for them that way.’ He placed the knife at the left side of the terrified man’s throat. ‘Start right over here and go in deep and slice across. The deeper you go the quicker it’ll be over for them. Don’t go doing stupid little papercuts coz you haven’t got the balls; it’ll make it worse for them and you.’ Tony sliced in one quick movement. Blood spurted out and then flowed down the naked man’s chest. The man’s throat gargled, his eyes grew wider, then he was motionless.

The remaining nine people screamed and cried from behind their gags.

Even with the mask over his nose Ben could smell faeces and urine as well as the iron aroma of the blood. It took all his focus not to vomit.

Tony turned and handed the knife to Ben. ‘You’re up. Better do one before you hit the deck.’

Ben took the knife reluctantly, his hands trembled more, and he felt so hot and sticky. Number two of the livestock was a pale Eastern European looking woman in her twenties. She was silent and staring at Ben with frozen terror. He put the knife tentatively to her throat, she pushed back against the wall and started to scream. Ben held her by her hair and gripped the knife with more force.

Ben’s mouth was dry, his tongue felt paralysed in its arid cave, he could barely whisper. ‘I’m sorry.’

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Leap

Published February 17, 2019 by Naomi Rettig

Sat against this rock I am hidden from the world. Invisible and insignificant.

Facing outwards, I hear the ocean caressing the rocks further below me, I see the lit lighthouse standing proud, alone but confident, defiant against the blackness of the unknown ocean stretching ahead of it.

Facing inland I see couples illuminated by candlelight through the restaurant picture windows, laughing, smiling, touching. I don’t know which I’m more envious of, the people exchanging loving looks, or the ocean full of freedom and hypnotic hope.

I don’t think I’ll ever find anyone to look lovingly at me, to be their whole world in that moment and moments more. I am not worthy of another’s love. Even I don’t love myself so how can I expect it from another. No one could find me special, wonderful, their guiding light. I will never be someone’s lighthouse, someone’s restaurant gazer.

I will be the lone rock sitter, the solo sea starer, the self-placed exile. I long to be with someone special, as much as I long to leap into the ocean, to float away from pain. Maybe I should take that leap, find the lighthouse for me.

Why am I so scared of sitting in that window? The remote sea seems less terrifying to me. I have a blackness within, it spreads and dims my vision. It smothers my clarity at times. At times I don’t know if I’ll leap when my dark secret self swirls deep. The sea speaks to me, it says listen to me, follow me, join me, stay with me.

I close my eyes as wind joins waves in beautiful orchestral crescendos.

Inhaling salted air, I breathe life into me.

Today is not a leap day.

Imaginary Spider

Published March 27, 2017 by Naomi Rettig

I saw a spider that wasn’t really there,
It made me jump, it gave me a scare.
I saw it sprint across my wall,
It gave me the creeps and made my skin crawl.

Imaginary spider hiding in my head
I will hunt you down until you are dead.
If I don’t, you will eat me alive,
Survival of the fittest, I will survive.

Eight eyes watch me from a secret hidey hole,
Far from cuddly like a velvet mole,
Waiting, you plot my grim demise
As you stomp across my petrified eyes.

Imaginary spider keeping me awake,
Trying to tell myself that you are a fake,
Can’t shake the feeling that you are really there,
Waiting to use me as a breeding lair.

The Verdict

Published February 9, 2017 by Naomi Rettig

Leukemia, a word that sounds softer than cancer. Cancer sounds hard and abrupt, leukemia sounds more chilled out, like Bohemia. But the verdict of it still slams at you full force like a charging rhino. What do you do when you’ve just been told you have it? I went and sat in an empty church for an hour. I’m not religious, I just wanted to sit quietly somewhere. I needed time to compose myself before bumping into anyone I knew, I didn’t want to blurt it out to the first person who said hello to me. Someone’s innocent ‘Hi Tom, how are you?’ being met by a babbling mess of ‘Pretty shit, I’ve got leukemia.’ Nobody wants that answer to a rhetorical question.

I contemplated all the funerals that had taken place there in the peaceful sanctuary. Hundreds of bodies over the years being carried in and out via a wooden box, loved ones crying tears of goodbyes and guilt, sorrow and sentiments. This would be me soon.

Well, I say soon, between now and about five years, that seems soon now to me, too soon. That’s the estimate of my life expectancy. Science isn’t that accurate yet. Five years if I’m lucky, some fortunate people managed to drag out their existence by eight years. With medication, I might even make ten more years. Or I could get hit by a bus tomorrow. I assumed that I’d get to old age, stressing about pensions and whether I’d be able to afford my retirement barge on the canal. I know we’re not immortal, but when your life sentence is reduced, plans and thoughts crumble quickly. Just five more Christmases, five more birthdays, five more holidays. These bubbles of time are going to rapidly pop.

I sat in the cold church wishing I had a faith, maybe it would be easier to live with this death sentence if I believed a higher being was looking after my soul, or that I would be reunited with deceased family. Instead I know I will just simply die and everything will end. Game over. I want to scream, I want to cry, I want to laugh. Laugh at the irony, the irony of living with depression and fighting to stay alive every day, but wishing I could disappear, and now finding that my cosmic ordering has worked. I get my wish. But now I don’t want my wish. I want to send it back. I am ungrateful. There’s too much left for me to do.

I want to watch my son’s life unfold, see him enjoying life and having his own family. I want to have grandkids and be that fun Grandad everyone wants, a pocketful of sweets and a twinkle in my eye as I teach them poker and blackjack.  I want to laugh some more with my friends, grow old disgracefully with them. I want to explore the world, see beautiful sights across all continents, dip my toes in the oceans and seas. I want to watch more seasons of The Walking Dead.

I want to fall in love one more time, and feel that person’s love wrapped around me always. I want someone to hold me and know that I am their whole world. But that’s not going to happen, I’m going to die alone, I’d better get used to that and not wallow in a pity pool. I want someone to hold my hand as I take my final breaths. But that’s selfish isn’t it, I should be grateful I am single and therefore sparing someone that loves me the agony of watching me ebb away without them.

I haven’t told anyone yet. How do you tell people you’re a ticking time bomb? Do you tell people? My first instinct is to tell everyone. This is big news, I need to share, to get support, to get help making sense of it all. A Facebook status maybe, ‘Make the most of me, I’m not going to be here for much longer.’ Too dramatic? How about just simply ‘I’m dying.’ Too basic? After all, aren’t we all dying in various degrees? I’ve just moved up a few gears and I’m speeding along in the fast track lane. Typical, the only race I’m going to win is the death race.

If everyone knows I’m fast tracking death I’ll get sympathetic looks everywhere I go, do I really want people in my local Tesco’s looking at me thinking ‘oh that’s the man that’s dying, how sad’, and then carry on deciding what shade of toilet roll to buy. Do I just tell family? I have to tell my family. How do I do that? To see their faces try and grapple with emotion, to see their pain, to feel responsible for their grief. They need to prepare though, if you can ever prepare for someone you love dying. I’ve lost two people suddenly that I loved from heart attacks, I didn’t have chance to say goodbye or tell them I loved them. That haunts me. I don’t want anyone else to feel that.

There are too many emotions pin-balling around in my head. It’s like my brain doesn’t know what it should be feeling so it’s throwing everything out there, hoping the right one sticks in place. I’m going to just have to take each day as it comes. Find out what emotion my brain tries out each morning.

Today I woke up wanting to make the most of the day. I’m going out with Dave and some other work mates after our shift has finished, Murphy’s getting married so we’re off to celebrate his future. I’m going to have about six pints to celebrate mine. It’s worth celebrating. Some people have heart attacks or get hit by a bus, they’re gone instantly, I’m a lucky one getting notice to go. I can do my goodbyes and tie up my loose ends, closure. And if I’m really lucky a fiftieth party that will rock everyone’s socks off. And maybe their pants.

 

A Dangerous Lady

Published October 14, 2016 by Naomi Rettig

I knew she was trouble the moment my eyes groped her in The Horseshoe Saloon. She was sat at the bar, her long legs twisting around the bar stool like a boa constrictor squeezing its prey. A lucky red velvet dress caressed her in envious places. Her skin was the colour of milk, full fat, and I wanted to test my lactose intolerance. Liquorice spiraled hair cascaded down her back and as I positioned myself next to her I could smell the aroma of bergamot and marzipan.

She glanced my way as I ordered a bourbon, drink not biscuit, a flutter of her emerald eyes enticed me out to sea without my water-wings. I didn’t see the sharks swimming around us, I was too distracted by her chest, bobbing in front of me like a life raft, I wanted to cling on and float away to heaven. I should have walked away right then and there, but I didn’t, those sticky red lips pouted and stuck my feet to the floor like lead bubblegum.

She asked the barman for a pen, her voice like smoky syrup, and wrote a number on a crisp white napkin, instructing me to call her. Sliding off the stool she sashayed away, her curvaceous bottom swaying like The Golden Gate Bridge in high winds. I followed. How could I not. I was a fool.

I know I’m a fool as I am now looking at her body. Her perfect dead body. She’s still a little warm, like a hot water bottle at 2am. I shot her in the heart, I couldn’t bear to disfigure that face. That face with blood red lips that lured the sharks, and sucked me in too. How could I compete for her affection, I was too far out of my depth. I should’ve walked away, I couldn’t.

Blood pools around her and feels like sticky molasses on my fingers. I hold her close to me, clinging on to my life raft. The gun is cold in my mouth, and the metal clinks at my teeth like ice in a glass as I place it in position. I don’t know if we’re going anywhere after this, all I know is that I can’t live with her, nor can I live without her. I should’ve walked away at the bar, but I’m a fool who fell for a dangerous lady.

 

Grief

Published January 20, 2015 by Naomi Rettig

I can’t stop the tears rolling down my cheeks,
My pain still raw as days turn to weeks.
Time will heal so I am told,
Yet grief clings to me like festering mould.
You were taken too sudden away from us all,
I wish I had the power of time to stall,
I would tell you how much you meant to me,
A dad not in name but a dad to me.
I’d thank you for loving and looking after my mum,
For all my memories in our family album.
I’d tell you I loved you every day,
The words in your life I never did say.
My heart feels now as weak as yours
And into infinity my sadness pours.